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Ligia Montoya – Argentine paper-folder who played a crucial role in establishing paper-folding as an international movement; John Montroll – probably the most prolific Western artist and author of over 40 books on origami; Jeannine Mosley – best known for her origami models created from business cards, [7] including the Menger Sponge. [1]
The transparency of the glass plate can be used to advantage, in that the plate may be placed over a preliminary drawing on paper to guide the artist in creating a drawing on the plate. This is done by placing the drawing face down on a light table (to allow for the reversal of the image in printing) and placing the vitreograph plate on top of ...
Both involve the transfer of ink from a plate to the paper, canvas, or other surface that will ultimately hold the work of art. In the case of monotypes, the plate is a featureless plate. It contains no features that will impart any definition to successive prints. The most common feature would be the etched or engraved line on a metal plate.
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Once the desired amount of ink is removed, the plate is run through an etching press along with a piece of dampened paper to produce a print. A dampened paper may be produced by soaking a piece of printing paper, or any other papers that are slightly water-absorbent but are not water soluble, into a tray of water for about 5 minutes.
Both involve the transfer of ink from a plate to the paper, canvas, or other surface that will ultimately hold the work of art. In monoprinting, an artist creates a reusable template of the intended image. Templates may include stencils, metal plates and flat stones. This form of printing produces multiple prints from the same template.