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Byzantine dress changed considerably over the thousand years of the Empire, [1] but was essentially conservative. Popularly, Byzantine dress remained attached to its classical Greek roots with most changes and different styles being evidenced in the upper strata of Byzantine society always with a touch of the Hellenic environment.
Toga candida: "Bright toga"; a toga rubbed with chalk to a dazzling white, worn by candidates (from Latin candida, "pure white") for public office. [11] Thus Persius speaks of a cretata ambitio, "chalked ambition". Toga candida is the etymological source of the word candidate. Toga pulla: a "dark toga" was supposed to be worn by mourners at ...
The Ionic chiton could also be made from linen or wool and was draped without the fold and held in place from neck to wrist by several small pins or buttons.. Herodotus states the dress of the women in Athens was changed from the Doric peplos to the Ionic chiton after the widows of the men killed on military expedition to Aegina stabbed and killed the sole survivor with their peplos pins, each ...
The tunic continued to be the basic garment of the Byzantine Romans of both sexes throughout the medieval period. The upper classes wore other garments atop the basic tunic, such as the dalmatica , a heavier and shorter type of tunic, again, worn by both sexes, or the scaramangion , a riding-coat of Persian origin.
Some patterns were made to evoke the look of marble. [37] Embroidery of tigers and lions on some items may have been drawn from traditional Tibetan art or from Byzantine culture. [45] [46] The shoes were elaborately sculpted with various motifs including ivy, skulls, and wings. [47] [48]
With the even grander loros costume, the "chlamys costume" was the ceremonial wear of Byzantine emperors and the only option for high officials on very formal occasions. [4] It is generally less common in surviving imperial portraits than the loros shown on coins, though the large numbers of Byzantine coins that survive provide many examples ...
Clothing worn in the Byzantine Empire (Eastern Roman Empire) during the late fifth to mid-fifteenth century CE. For clothing worn in the earlier Greek and Roman eras of classical antiquity , see Category:Greek clothing and Category:Roman-era clothing .
However, terracotta figurines uncovered at Mehrgarh show a male figure wearing what is commonly interpreted to be a turban. A figurine, from the site of Mohenjo-daro, and labeled the "Priest King," depicts the wearing of a shawl with floral patterns. So far, this is the only sculpture from the Indus Valley to show clothing in such explicit detail.