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Polish women gothic rock musicians (2 P) This page was last edited on 5 January 2025, at 09:51 (UTC). Text is available under the Creative Commons Attribution ...
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Gill's self-professed love of Goth culture was the topic of media interest, and it was widely reported that the word "Goth", in Gill's writings, was a reference to the alternative industrial and goth subculture rather than a reference to gothic rock music. [109]
The Onomastics of the Gothic language (Gothic personal names) are an important source not only for the history of the Goths themselves, but for Germanic onomastics in general and the linguistic and cultural history of the Germanic Heroic Age of c. the 3rd to 6th centuries. Gothic names can be found in Roman records as far back as the 4th ...
Articles relating to the Goth subculture, a music-based subculture that began in the United Kingdom during the early 1980s. It was developed by fans of gothic rock, an offshoot of the post-punk music genre. Its imagery and cultural proclivities indicate influences from 19th-century Gothic fiction and from horror films.
Maleen, Goth and The Leewit (The Witches of Karres) by James H Schmitz; Narcissa Malfoy (Harry Potter) Mallenroh (The Elfstones of Shannara) Madam Malkin (Harry Potter) Mother Malkin ; Griselda Marchbanks (Harry Potter) Margarita (The Master and Margarita) Clio Martin ; Petra Martin ; Keziah Mason (The Dreams in the Witch-House)
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