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Orchestration is often discussed in the context of service-oriented architecture, virtualization, provisioning, converged infrastructure and dynamic data center topics. . Orchestration in this sense is about aligning the business request with the applications, data, and infrastru
Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra.
For example, a virtual session border controller could be deployed to protect a network without the typical cost and complexity of obtaining and installing physical network protection units. Other examples of NFV include virtualized load balancers , firewalls , intrusion detection devices and WAN accelerators to name a few.
Examples include eBay, Red Hat, Visa, Uber, Tripadvisor, and Alibaba. The concept was born in the early 1990s among several organizational behavior researches that were conducted by many scholars of that time such as Malone & Crowston, [ 2 ] Lipparini & Sobrero, [ 3 ] Powell et al., [ 4 ] Simonin, [ 5 ] and many others.
One example is the arrangement that he made of the Prelude from his Partita No. 3 for solo violin, BWV 1006. Bach Partita 3 for Violin Prelude Bach Partita 3 for Violin Prelude Bach transformed this solo piece into an orchestral Sinfonia that introduces his Cantata BWV29 .
In service orchestration, on the other hand, the logic is specified from the local point of view of one controlling participant, called the orchestrator. In the service orchestration language BPEL , for example, the specification of the service orchestration (e.g. the BPEL process file) is a workflow that can be deployed on the service ...
Das Augenlicht, for mixed choir and orchestra, on a text by Hildegard Jone, op. 26 (1935) Variations, for solo piano, op. 27 (1936) String Quartet, op. 28 (1937–38) – the tone row of this piece is based around the BACH motif; Cantata No. 1, for soprano, mixed choir and orchestra, op. 29 (1938–39) Variations, for orchestra, op. 30 (1940)
The work is scored for a large orchestra. Holst's fellow composer Ralph Vaughan Williams wrote in 1920, "Holst uses a very large orchestra in the Planets not to make his score look impressive, but because he needs the extra tone colour and knows how to use it". [25] The score calls for the following instrumentation.