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Igbo highlife is a contemporary musical genre that combines highlife and Igbo traditional music. The genre is primarily guitar-based music, with a rare characteristic blend of horns and vocal rhythms. [1] [2] Igbo highlife lyrics are sung mostly in Igbo with occasional infusion of Pidgin English. [3]
Awurama Badu (Ewurama Badu) was a Ghanaian highlife musician born in 1945 and from Banko in the Sekyere Kumawu District of the Ashanti Region. [1] Popularly known for her stage performance and hit songs, she was a gifted and talented Highlife musician who had a breakthrough when the music industry was largely dominated by males with few females to fight for a place in the industry, according ...
This is a list of notable Nigerian highlife musicians arranged in alphabetical order. There are several other genres of music in Nigeria these include Ikorodo , Igbo gospel , Owerri Bongo , Fuji music , Ekpili Jùjú music , Apala , Were music and Highlife .
In his early musical career, he composed largely secular songs before popularising the "gospel music" in Ghana in the 1980s and 1990s. Jewel Ackah played in live dance bands, alongside musicians like Elgrand Kwofie, C.K. Mann and Jos Akins as the master of the band. In 1965, he was a vocalist with the cover-version band the Pick-Ups.
Chief Stephen Osita Osadebe // ⓘ (March 17, 1936 [1] – May 11, 2007), [2] often referred to as just Osita Osadebe, was a Nigerian Igbo highlife musician from Atani.During his career spanning over four decades, he became one of the best known musicians of Igbo highlife.
This lends a purist quality to the music. The duo seems to have derived some of their philosophy from the music of Oliver De Coque; and even the third song in the album, “Biri” is a sample of Oliver De Coque’s classic “Biri ka m Biri,” a song which espouses the principle of “Live and Let live.”
Part of the World Music Network Rough Guides series, the release covers the Highlife musical genre of Ghana and surrounding countries, focusing on the 1960s and 70s. [1] Graeme Ewens wrote the liner notes, and Phil Stanton, co-founder of the World Music Network, was the producer. [2] This album was followed by a second edition in 2012.
In the 1940s, the music diverged into two distinct streams: dance band highlife and guitar band highlife. Guitar band highlife featured smaller bands and, at least initially, was most common in rural areas. Because of the history of stringed instruments like the seprewa in the region, musicians were happy to incorporate the guitar.