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A shout (or praise break) is a kind of fast-paced Black gospel music accompanied by ecstatic dancing (and sometimes actual shouting). It is sometimes associated with "getting happy" . It is a form of worship/praise most often seen in the Black Church and in Pentecostal churches of any ethnic makeup, and can be celebratory, supplicatory ...
African-American dance is a form of dance that was created by Africans in the Diaspora, specifically the United States.It has developed within various spaces throughout African-American communities in the United States, rather than studios, schools, or companies.
Thelma "Mother" Hill (1924–1977) was an African-American dancer and dance educator from Brooklyn, New York. A groundbreaking artist considering the limited opportunities for black dancers at the time, Hill would co-found the New York Negro Ballet Company and teach dance at the university level before her accidental death in 1977.
Josephine Baker was an American-born French dancer and singer who symbolized the beauty and vitality of Black-American culture in the 1920s. Baker went on to become one of the most popular music ...
Debra Austin was the very first African-American ballerina to receive a principal dancer contract with a major American ballet company [3] in 1982 with the Pennsylvania Ballet. There she danced the principal roles in Swan Lake, Giselle, Coppélia, and La Sylphide. Dancing these roles with a white partner was a further breakthrough.
Crump teaches four dance genres: African dance (east and west African traditional and modern dance styles with opportunities to learn about Black American and African history), majorette dance (a ...
Misty Copeland has grown used to having the spotlight on her at center stage. In 2015, Copeland sprang into the highest echelons of dance when she became the first African American woman to be a ...
A krumper dancing in Australia. Krumping is a global culture that evolved through African-American street dancing popularized in the United States during the early 2000s, characterized by free, expressive, exaggerated, and highly energetic movement. [1] The people who originated krumping saw the dance as a means for them to escape gang life. [2]