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GeeXboX - GeeXboX (stylized as GEExBox) is a free Linux distribution providing a media center software suite for personal computers. Kdetv - Discontinued TV viewer Kodi (formerly XBMC ) - It allows users to play and view most streaming media, such as videos, music, podcasts , and videos from the Internet, as well as all common digital media ...
Right to Reply was more serious and less humorous than its BBC equivalent Points of View.Also, R2R discussed all channels' programmes, although, originally, only "Channel Four programme makers [were] called to account"; [2] after a few years R2R started to discuss ITV shows as well, and soon also added BBC, and later satellite/cable shows.
Directors Commentary is a comedy television series created and written by Paul Duddridge and produced by Miles Ross. It was made by Jones The Film for ITV and broadcast in 2004. It starred Rob Brydon as Peter de Lane, a fictional director who provided the audio commentary for the DVD releases of shows he had supposedly directed.
Nearly half of the top 10 streaming shows in late June were “library” titles. Meaning, shows that originated somewhere else (usually traditional TV) and are now licensed by a streaming platform.
A confessional is a stylistic device used in many reality television shows. It is a type of aside, consisting of cutaways to a close-up shot of one (or occasionally more) cast members talking directly to camera. Confessionals are used to provide narration, exposition, and commentary on ongoing action within the show. [1]
Huw Wheldon was the editor from 1958 to 1962. He was also the principal interviewer and anchor until 1964. [2] Wheldon set about moulding a team of talents, including W. G. Archer, Melvyn Bragg, Humphrey Burton, John Berger, Patrick Garland, Peter Newington, Ken Russell, John Schlesinger, Nancy Thomas, and Alan Tyrer.
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The Criterion Collection introduced audio commentary on the LaserDisc format, which was able to accommodate multiple audio tracks.The first commentary track, for the 1933 film King Kong, was recorded by Ronald Haver, a curator at the Los Angeles County Museum of Art, and was inspired by the stories Haver told while supervising the film-to-video transfer process. [1]