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Lou Singletary Bedford (April 7, 1837 – April 10, 1920), pen name Lenora, was an American author and editor.Her poems were published when she was sixteen using a pen name until she married.
The poem on a gravestone at St Peter’s church, Wapley, England "Do not stand by my grave and weep" is the first line and popular title of the bereavement poem "Immortality", written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
[10] Heaney thinks that the poem's structure as a villanelle "[turns] upon itself, advancing and retiring to and from a resolution" [9] in order to convey "a vivid figure of the union of opposites" [9] that encapsulates "the balance between natural grief and the recognition of necessity which pervades the poem as a whole." [9]
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With the minister's encouragement, a book of Poems, in the Scottish dialect by James Thomson, Weaver in Kinleith, was published in 1801, printed by J. Fillans & Sons, Edinburgh, and published by W. Reid, Leith, for the Author. This opened with An Account of the Author, giving his life story, and a Dedication to the Merchants of Leith.
Ricardo Sánchez (29 March 1941 – 3 September 1995) was a writer, poet, professor, and activist. Sometimes called the "grandfather of Chicano poetry," Sánchez gained national acclaim for his 1971 poetry collection Canto y Grito Mi Liberacion.
The Graveyard School is an indefinite literary grouping that binds together a wide variety of authors; what makes a poem a "graveyard" poem remains open to critical dispute. At its narrowest, the term "Graveyard School" refers to four poems: Thomas Gray's " Elegy Written in a Country Churchyard ", Thomas Parnell's "Night-Piece on Death", Robert ...
The loss of both parents within two years affected Heaney deeply, and he expressed his grief in poems. [10] In 1988, a collection of his critical essays, The Government of the Tongue, was published. In 1985 Heaney wrote the poem "From the Republic of Conscience" at the request of Amnesty International Ireland.