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Common aspect ratios used in film and display images. The common film aspect ratios used in cinemas are 1.85:1 and 2.40:1. [1] Two common videographic aspect ratios are 4:3 (1. 3:1), [a] the universal video format of the 20th century, and 16:9 (1. 7:1), universal for high-definition television and European digital television.
Once seen as an "exotic" aspect ratio, [1] since 2009, it has become the most common aspect ratio for televisions and computer monitors, and is also the universal standard image format for the universal 1080p, 2160p and 4320p formats. 16:9 or "sixteen-nine" is the universal widescreen standard format [2] and Wide-aspect Clear-vision. [3]
Classic television aspect ratio 4:3, and two wider ratios. Widescreen images are displayed within a set of aspect ratios (relationship of image width to height) used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than 4:3 (1.33:1).
Negative aspect ratio is the image ratio determined by the ratio of the gate dimensions multiplied by the anamorphic power of the camera lenses (1× in the case of spherical lenses). [1] Gate dimensions are the width and height of the camera gate aperture, and by extension the film negative frame.
The horizontal to vertical ratio of each pixel. Storage aspect ratio (SAR) The horizontal to vertical ratio of solely the number of pixels in each direction. [note 1] Display aspect ratio (DAR) The combination (which occurs by multiplication) of both the pixel aspect ratio and storage aspect ratio giving the aspect ratio as experienced by the ...
Cylindrical equal-area projection with standard parallels at 30°N/S and an aspect ratio of (3/4)π ≈ 2.356. 2002 Hobo–Dyer: Cylindrical Equal-area Mick Dyer: Cylindrical equal-area projection with standard parallels at 37.5°N/S and an aspect ratio of 1.977. Similar are Trystan Edwards with standard parallels at 37.4° and Smyth equal ...
For example, the aspect ratio of a rectangle is the ratio of its longer side to its shorter side—the ratio of width to height, [1] [2] when the rectangle is oriented as a "landscape". The aspect ratio is most often expressed as two integer numbers separated by a colon (x:y), less commonly as a simple or decimal fraction. The values x and y do ...
After Pacioli, the golden ratio is more definitely discernible in artworks including Leonardo's Mona Lisa. [55] Another ratio, the only other morphic number, [56] was named the plastic number [c] in 1928 by the Dutch architect Hans van der Laan (originally named le nombre radiant in French). [57] Its value is the solution of the cubic equation