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When operating in this mode most of them do not output a true (625/50) PAL signal, but rather a hybrid consisting of the original NTSC line standard (525/60), with colour converted to PAL 4.43 MHz (instead of 3.58 as with NTSC and South American PAL variants and with the PAL-specific phase alternation of colour difference signal between the ...
When transferred to NTSC television, the rate is effectively slowed to 23.976 FPS (24×1000÷1001 to be exact), and when transferred to PAL or SECAM it is sped up to 25 FPS. 35 mm movie cameras use a standard exposure rate of 24 FPS, though many cameras offer rates of 23.976 FPS for NTSC television and 25 FPS for PAL/SECAM.
Consequently, it has become popular with low-budget film/video makers. It is the successor to the HV10, which was Canon's first consumer HDV camcorder. The NTSC-region camera shoots at 24p which gives a film-like look in PF24 mode, using 2:3 pulldown in a 60i stream. In PAL regions, it can record in native 25p mode and as such does not require ...
By "camcorder" is understood a single unit comprising a video camera and a video recorder. Betamovie records analog video on a standard Betamax cassette. A range of models was manufactured for the PAL and NTSC formats. The first model, BMC-100P (PAL) and BMC-110 (NTSC) was released in 1983 making it the first commercial consumer grade camcorder ...
Most Digital8 units offer an LP mode, which increases the recording time on an NTSC P6-120 tape to 90 minutes. For PAL, the Digital8 recorder runs 1½ times faster; thus, a 90-minute PAL Hi8 tape yields 60 minutes of Digital8 video. PAL LP mode returns the tape speed to the Hi8 SP speed, so a Hi8 90-minute tape yields 90 minutes of Digital8 video.
Perhaps the most technically challenging conversion to make is the PAL and SÉCAM to NTSC conversion. PAL and SÉCAM use 625 lines at 50 fields/s or 25 frames/s; NTSC uses 525 lines at 59.94 fields/s (60000/1001) or 30 frames/s; The NTSC standard is temporally and spatially incompatible with both PAL and SÉCAM.
Many programmes produced by the BBC in PAL in the 1960s and 1970s were converted to NTSC for distribution to 525 line markets. Because of the cost of video tape at the time, the original PAL master was often overwritten with new material or simply discarded. This often left the NTSC version as the only remaining copy.
MicroMV camcorder and tape (top) compared to miniDV and Hi8 tapes. Sony DCR-IP7 (2001) Sony DCR-IP5 (2001) Sony DCR-IP45 (2002) Sony DCR-IP55 (2002) Sony DCR-IP210 (2002) Sony DCR-IP220 (2002) Sony DCR-IP1 (2003) NTSC models only can play NTSC recordings, while PAL models can play both PAL and NTSC. PAL models end with an "E" (e.g. DCR-IP7E).