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[2] [7] The live album Rank followed in 1988. [8] The majority of the Smiths' songs were written by the songwriting partnership of Morrissey and Johnny Marr. [1] Throughout their career, their songs differed from the predominant synth-pop British sound of the early 1980s, [2] instead fusing together 1960s rock and post-punk. [9]
During their time together, as well as four studio albums, the Smiths also released three compilation albums (Hatful of Hollow, The World Won't Listen and Louder Than Bombs), while a live album, Rank, recorded in 1986, was released in 1988 a year after the band split.
The next song that they worked on was "The Hand That Rocks the Cradle", which again was based on lyrics produced by Morrissey. Marr based the tempo on the Patti Smith song "Kimberly", and they recorded it on Marr's TEAC four-track cassette recorder. The third track that the duo worked on was "Suffer Little Children". [13]
Rank was released as a contractual obligation. [11] It was recorded almost two years earlier on 23 October 1986 at National Ballroom in Kilburn, London, and is a fourteen-track distillation (of 21 songs) [12] by singer Morrissey from the complete concert recording that had earlier been transmitted by BBC Radio 1.
The album ranked number 3 among "Albums of the Year" for 1987 in the annual NME critics' poll, and "Girlfriend in a Coma" ranked number 11 among songs. [23] In 2000 it was voted number 601 in Colin Larkin's All Time Top 1000 Albums. [24] Rolling Stone said the record "stands as one of their best and most varied". [25]
It should only contain pages that are The Smiths songs or lists of The Smiths songs, as well as subcategories containing those things (themselves set categories). Topics about The Smiths songs in general should be placed in relevant topic categories .
Clockwise from top left: Moana; The Lion King; Frozen; The Little Mermaid Credit - Courtesy of Disney. W hether you’ve seen every single Disney animated movie or never seen a single one, you ...
Rolling Stone ranked the song as the 14th best Smiths song, [3] while NME named it the band's 16th best. [13] Consequence ranked the song as the band's 28th best, calling it "a testament to The Smiths' power in 1987". [14] Guitar named the song as the band's 20th greatest guitar moment. [15]