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an example of modern jet carving. In Whitby the Victorian tradition continued up until the aftermath of World War II. [50] Jet jewellery (both vintage and new) was then to remain out of fashion until the late '70s. [51] In the '80s there was a fashion for jet beads and antique jet jewellery started to rise in value. [52]
Due to large demand for jet, in Whitby , a large industry was established. [8] The fossilised material, jet was valued because it was lightweight, intense black in colour, durable, inexpensive and could be easily carved. [3] [10] Jet was used to design mourning jewellery such as bracelets, necklaces, brooches, cameos and pendants.
The jet industry declined at the end of the 19th century, but eight shops sell jet jewellery, mainly as souvenirs to tourists. [61] In 1996, Whitby West Cliff qualified for a 'Tidy Britain Group Seaside Award'.
Francis Meadow (Frank) Sutcliffe (6 October 1853 – 31 May 1941) [1] was an English pioneering photographic artist whose work presented an enduring record of life in the seaside town of Whitby, England, and surrounding areas, in the late Victorian era and early 20th century.
In 1966 he was the first jeweller invited to the Antique Dealers Biennale. He presented a life-sized Temple of Love, supported by pearl-encrusted dolphins. An exposed glass pyramid showed, on trays of white coral, a collection of jewellery inspired by nature - birds, flowers, marine life, which caused a sensation.
Jewellery used in body modification can be simple and plain or dramatic and extreme. The use of simple silver studs, rings, and earrings predominates. Common jewellery pieces such as earrings are a form of body modification, as they are accommodated by creating a small hole in the ear. Padaung women in Myanmar place large golden rings around ...