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Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern.
An example of how modernist art can apply older traditions while also incorporating new techniques can be found within the music of the composer Arnold Schoenberg. On the one hand, he rejected traditional tonal harmony, the hierarchical system of organizing works of music that had guided musical composition for at least a century and a half.
In general pop art and minimalism began as modernist movements, a shift in the paradigm and a philosophical split between formalism and anti-formalism in the early 1970s caused those movements to be viewed by some as precursors, or transitioning to postmodern art. Other modern movements cited as influential to postmodern art are Conceptual art ...
It refers to new forms of contemporary art and theory that respond to modernism and postmodernism and integrate aspects of both together. Metamodernism reflects an oscillation between, or synthesis of, different "cultural logics" such as modern idealism and postmodern skepticism, modern sincerity and postmodern irony, and other seemingly ...
As an example, Andy Warhol's pop art across multiple mediums challenged traditional distinctions between high and low culture, and blurred the lines between fine art and commercial design. His work, exemplified by the iconic Campbell's Soup Cans series during the 1960s, brought the postmodernist sensibility to mainstream attention.
However, most scholars today would agree that postmodernism began to compete with modernism in the late 1950s and gained ascendancy over it in the 1960s. [6] Since then, postmodernism has been a dominant, though not undisputed, force in art, literature, film, music, drama, architecture, history, and continental philosophy.
Postmodernism: Style and Subversion 1970 –1990 was an exhibition at the Victoria and Albert Museum (V&A) in London, from 24 September 2011 to 15 January 2012. It was billed as "the first in-depth survey of art, design and architecture of the 1970s and 1980s", [ 1 ] curated by Glenn Adamson and Jane Pavitt.
The strands of thought that eventually led to modern art can be traced back to the Enlightenment. [b] The modern art critic Clement Greenberg, for instance, called Immanuel Kant "the first real Modernist" but also drew a distinction: "The Enlightenment criticized from the outside ... . Modernism criticizes from the inside."