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Musical settings of poems by Eric Thirkell Cooper (1 P) D. Musical settings of poems by John Donne (4 P) Musical settings of poems by Ernest Dowson (2 P) H.
To be a 'school' a group of poets must share a common style or a common ethos. A commonality of form is not in itself sufficient to define a school; for example, Edward Lear, George du Maurier and Ogden Nash do not form a school simply because they all wrote limericks. There are many different 'schools' of poetry.
Repetition–Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion. Rhyme–Rhyme uses repeating patterns to bring out rhythm or musicality in poems. It is a repetition of similar sounds occurring in lines in a poem which gives the poem a symmetric quality.
No better example of the more pedestrian class of descriptive poetry could be found than the last-mentioned poem with its minute and Dutch-like painting. [2] How often have I paused on every charm: The sheltered cot, the cultivated farm; The never-failing brook, the busy mill, The decent church that topped the neighboring hill:
Pages in category "Musical settings of poems by A. E. Housman" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes .
Topographical poetry or loco-descriptive poetry is a genre of poetry that describes, and often praises, a landscape or place. John Denham's 1642 poem "Cooper's Hill" established the genre, which peaked in popularity in 18th-century England. Examples of topographical verse date, however, to the late classical period, and can be found throughout ...