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In the Four-Part Mass it consists of a four-note figure D-G-Bb-A (Kyrie) changing to D-A-C-Bb in the other movements. In the Sanctus the B flat strikingly changes to a B natural, producing an unexpected major chord at a key point in the music. A special feature of the mass (as also of the Five-Part Mass) is the final clause of the Agnus Dei.
This 1,900-page book contains most versions of the ordinary chants for the Mass (Kyrie, Gloria, Credo, Sanctus, and Agnus Dei), as well as the common chants for the Divine Office (daily prayers of the Church) and for every commonly celebrated feast of the Church year—including more than two hundred pages for Holy Week alone—as practiced ...
Agnus Dei (Lamb of God) is a choral composition in one movement by Samuel Barber, his own arrangement of his Adagio for Strings (1936). In 1967, he set the Latin words of the liturgical Agnus Dei , a part of the Mass , for mixed chorus with optional organ or piano accompaniment.
The Agnus Dei returns to the imitative polyphony of the Kyrie (the opening of Agnus Dei I repeats that of the Kyrie). As was frequently done in the 16th century, Palestrina adds an extra voice in Agnus Dei II, making seven for this movement, in which is embedded a three-part canon that begins with the head-motive.
The War Requiem, Op. 66, is a choral and orchestral composition by Benjamin Britten, composed mostly in 1961 and completed in January 1962. [1] The War Requiem was performed for the consecration of the new Coventry Cathedral, in the English county of Warwickshire, which was built after the original fourteenth-century structure was destroyed in a World War II bombing raid.
The Messe de Nostre Dame consists of six movements, namely the Kyrie, Gloria, Credo, Sanctus, Agnus Dei, and the dismissal Ite, missa est.The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII and the Ite is on Sanctus VIII.
The whole is repeated with the addition of pianissimo cymbal and bass drum to the "Sanctus" and a much expanded "Hosanna" fugue. Berlioz suggested that the solo part could be sung by ten tenors. The final movement, containing the "Agnus Dei" and Communion sections of the Mass, features long held chords by the woodwinds and strings.
Incipit of Agnus Dei. Agnus Dei (Lamb of God) is sung by the alto with obbligato violins in unison. [75] [29] The source for the aria is possibly the aria Entfernet euch, ihr kalten Hertzen (Leave, you cold hearts), the third movement of the lost wedding cantata Auf, süß entzückende Gewalt, BWV Anh 196 . [76]