Ad
related to: folklore the long pond records list of fish
Search results
Results From The WOW.Com Content Network
After the release of Folklore, Folklore: The Long Pond Studio Sessions and Evermore, artists such as Maya Hawke, [32] Gracie Abrams, [33] Ed Sheeran, [34] King Princess, [35] and Girl in Red [36] desired to collaborate with Dessner and record songs at his Long Pond Studio. Dessner stated, "After Taylor, it was a bit crazy how many people ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Help; Learn to edit; Community portal; Recent changes; Upload file
In a peculiarity, the music on “Folklore: The Long Pond Studio Sessions” — a stripped-down, acoustic-in-studio rendering of the songs from the 2020 “Folklore” album, taken from a Disney+ ...
The bishop-fish, a piscine humanoid reported in Poland in the 16th century. Aquatic humanoids appear in legend and fiction. [1] "Water-dwelling people with fully human, fish-tailed or other compound physiques feature in the mythologies and folklore of maritime, lacustrine and riverine societies across the planet." [2]: 6
Thanks to a towering debut by “Folklore: The Long Pond Studio Sessions,” Taylor Swift now has three albums in the top 10 of the Billboard 200, as the vinyl-only Record Store Day exclusive sold ...
Working remotely with veteran collaborator Jack Antonoff and new producer/co-writer Aaron Dessner (best known as the guitarist for sad-dad-rock mainstays the National), Swift used “Folklore ...
Hoax" was recorded at Long Pond Studios in Hudson Valley. The vocals were recorded at Kitty Committee Studio in Los Angeles and the instruments were recorded at Hudson Valley and Brooklyn. The song was mixed at Long Pond and was mastered at Sterling Sound in New York City. [3] [5] The lyrics describe a flawed but everlasting relationship. [21]
After the album's release, Swift recorded a stripped-down rendition of "Illicit Affairs" for the Disney+ film Folklore: The Long Pond Studio Sessions and its live album on November 25, 2020. [31] Rolling Stone 's Rob Sheffield named the recording the "definitive version" and thought it "goes so far beyond the studio original".