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List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
After developing methods for painting transient effects, Monet would go on to seek more demanding subjects, new patrons and collectors; his paintings produced in the early 1870s left a lasting impact on the movement and his peers—many of whom moved to Argenteuil as a result of admiring his depiction. [15] [53] Paintings 1858–1872
Impressionism" is a philosophical and aesthetic term borrowed from late 19th-century French painting after Monet's Impression, Sunrise. Composers were labeled Impressionists by analogy to the Impressionist painters who use starkly contrasting colors, effect of light on an object, blurry foreground and background, flattening perspective, etc. to ...
Considering Impression, Sunrise and Monet's work following the 1874 exhibition, Duret wrote "it is certainly the peculiar qualities of Claude Monet's paintings which first suggested [the term impressionism]". Claiming that "Monet is the Impressionist painter par excellence", Duret argued that Monet inspired a new way of seeing and painting ...
When Monet painted the Rouen Cathedral series, he had long since been impressed with the way light imparts to a subject a distinctly different character at different times of the day and the year and as atmospheric conditions change. For Monet, the effects of light on a subject became as important as the subject itself.
[5]: 6 According to John House, the lighting in Monet's version of the scene resembles “sparkling light effects” of nature, which differs from Manet's original, which appears illuminated by studio light. [5]: 6 While Monet’s painting was inspired by Manet, it carries a different message from the original work.
Brownjohn, John and Stephan Koja and Galerie Osterreichische, Claude Monet. New York: Prestel, 1996. Koja, Stephan and Katja Miksovsky, Claude Monet: the Magician of Colour. New York: Prestel, 1997. National Museum Wales, "San Giorgio Maggiore by Twilight Breaking Dawn," . Newcomb, Molly. "San Giorgio Maggiore at Dusk: Claude Monet." (2 April 2012)
From the beginning of the 1870s, Monet experimented with the texture of his canvas and the effect it had on the painting, favoring a thin layer of "à grain priming" on fine weave twill canvases. [4] The diagonal weave of the canvas in the Nelson-Atkins version of Boulevard des Capucines can be seen prominently in the way that Monet applied ...