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Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the 9th arrondissement of Paris. [3] He was the second son of Claude Adolphe Monet (1800–1871) and Louise Justine Aubrée Monet (1805–1857), both of them second-generation Parisians.
It shows Claude Monet in bed recovering from a leg injury he had sustained in summer 1865, in Chailly-en-Bière, small village just on the outskirts of the forest of Fontainebleau. [ 1 ] [ 2 ] The work has been in the Musée d'Orsay in Paris since 1986.
The Funeral (French – L'Enterrement) is an 1867–1870 oil on canvas painting by Édouard Manet, now in the Metropolitan Museum of Art in New York. Incomplete, its style is very close to that of Effect of Snow on Petit-Montrouge and The Exposition Universelle of 1867 (Rouart, Widenstein 1975 no. 123).
List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
The Poppy Field near Argenteuil (French: Coquelicots) is an oil-on-canvas landscape painting by the French Impressionist Claude Monet, completed in 1873.. Following its donation to the French state in 1906 by Étienne Moreau-Nélaton, it was housed successively in the Louvre, Musée des Arts Décoratifs and the Jeu de Paume.
Brownjohn, John and Stephan Koja and Galerie Osterreichische, Claude Monet. New York: Prestel, 1996. Koja, Stephan and Katja Miksovsky, Claude Monet: the Magician of Colour. New York: Prestel, 1997. National Museum Wales, "San Giorgio Maggiore by Twilight Breaking Dawn," . Newcomb, Molly. "San Giorgio Maggiore at Dusk: Claude Monet." (2 April 2012)
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Claude Monet lived and painted in Giverny from 1883 to his death in 1926, and directed the renovation of the house, retaining its pink-painted walls. Colours from the painter's own palette were used for the interior -green for the doors and shutters, yellow in the dining room, complete with Japanese Prints from the 18th and 19th centuries, and blue for the kitchen.