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This is a list of songs described as feminist anthems celebrating women's empowerment, or used as protest songs against gender inequality. These songs range from airy pop affirmations such as " Girls Just Want to Have Fun " by Cyndi Lauper , to solemn calls to action such as "We Shall Go Forth" by Margie Adam .
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Joanie Leeds is a mom and Grammy-nominated children's musician. Here are her fave songs for girls. Courtesy. We all know women's progress took a hit in 2020, but there's one thing we can do: We ...
The main inspiration behind the song is female empowerment, urging women never to go for second-best and to urge their partners to express their inner feelings. "Express Yourself" is an upbeat dance-pop and deep funk song that features instrumentation from percussion, handclaps and drum beats , while the chorus is backed by the sound of a horn ...
The songs, written for the cause, unified women from varying geographic and socioeconomic positions because the empowering lyrics were set to widely known tunes. [2] Singing was expected from women, whereas political speaking was discouraged, which meant the use of music provided women with an outlet to voice their political opinion. [3]
[15] "I Am Woman" was the first number one single for Capitol Records since " Ode to Billie Joe " by Bobbie Gentry five years earlier, in 1967. [ 16 ] It was the first number one hit on the Billboard chart by an Australian-born artist and the first Australian-penned song to win a Grammy Award (in her acceptance speech for Best Female ...
Sonically, "Woman's World" is a dance-pop, EDM, electropop and electro song with themes of women's empowerment in its lyrics. The song was released by Warner Bros. Records on June 18, 2013 by Warner Bros. Records as the album's lead single. The song became a top thirty hit in Switzerland.
[1] "Superwoman" is also the opening song on the WNBA games which features a video of Keys performing the song in one of her concerts along with shot of women playing in the WNBA. The song debuted in the U.S. on the Hot R&B/Hip-Hop Songs chart week of August 14, 2008, at number fifty-five, eventually peaking at number twelve.