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Like other lais, prominence is given to the analysis of the characters' emotions and to the contrast between the ideals of love and the needs of reality. [7] It has been speculated [by whom?] that Marie arranged her poems as they appear in MS H in order to pair a short, tragic poem with a longer one on the power of love and the importance of ...
In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or rock music, although the term is also associated with the concept of a stylized storytelling song or poem, particularly when used as a title for other media such as a film.
The lyric poetry of Europe in this period was created by the pioneers of courtly poetry and courtly love largely without reference to the classical past. [11] The troubadors, travelling composers and performers of songs, began to flourish towards the end of the 11th century and were often imitated in successive centuries.
An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a ...
EPIC ROMANCES: Mem and Zin is considered the masterpiece of the Kurdish epics, writes Şeyhmus Çakırtaş
It is a poem of 5,730 lines in almost entirely akaval (aciriyam) meter. [5] The epic is a tragic love story of an ordinary couple, Kaṇṇaki and her husband Kōvalaṉ . [ 6 ] [ 7 ] The Cilappatikāram has more ancient roots in the Tamil bardic tradition, as Kannaki and other characters of the story are mentioned or alluded to in the Sangam ...
Eliot called the poem a "love song" in reference to Rudyard Kipling's poem "The Love Song of Har Dyal", first published in Kipling's collection Plain Tales from the Hills (1888). [17] In 1959, Eliot addressed a meeting of the Kipling Society and discussed the influence of Kipling upon his own poetry:
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