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Thomas Tallis set the first lesson, and second lesson, of Tenebrae on Maundy Thursday between 1560, and 1569: "when the practice of making musical settings of the Holy Week readings from the Book of Jeremiah enjoyed a brief and distinguished flowering in England (the practice had developed on the continent during the early 15th century)".
Stroope earned a master's degree in voice performance at the University of Colorado (Boulder) and his doctorate in conducting from Arizona State University.In an electronic publication, Stroope states that even though he had dabbled in composition since the age of ten, it was not until he wrote The Cloths of Heaven, and Inscription of Hope, that he began to gain recognition.
The lamentations of Jeremiah are depicted in this 1860 woodcut by Julius Schnorr von Karolsfeld. The traditional ascription of authorship to Jeremiah derives from the impetus to ascribe all biblical books to inspired biblical authors, and Jeremiah being a prophet at the time who prophesied its demise was an obvious choice. [3]
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J. B. Lightfoot suggests that by "Jeremiah", the author intended to indicate the whole of the prophetic literature. [12] The apocryphal work known as the Rest of the Words of Baruch, also called the Ethiopic Lamentations of Jeremiah contains a quotation of one of Jeremiah's prophecies against Pashhur that matches up exactly with Matthew's ...
The Book of Lamentations or Lamentations of Jeremiah figures in the Old Testament. The Lamentation of Christ (under many closely variant terms) is a common subject from the Life of Christ in art, showing Jesus' dead body being mourned after the Crucifixion.
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The Ethiopic Lamentations of Jeremiah (Geʽez: Säqoqawä Eremyas) [1] is a pseudepigraphic text, belonging to the Old Testament canons of the Beta Israel [2] and Ethiopian Orthodox Church. It is not considered canonical by any other Judeo-Christian-Islamic groups.