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The Baile de la Conquista is not unique to Guatemala; variations of the dance have been performed throughout Latin America with differences based on local folklore. The one constant in all forms of the dance is the resolution, a religious conversion of the native or "pagan" population. Surviving dances outside of Guatemala are usually performed ...
The Guatemalan Traditional Mayan Deer Dance, also known as "Baile de Venado" in Spanish, is a traditional dance performed by the indigenous Mayan people of Guatemala.The dance is often performed during important cultural and religious celebrations and ceremonies, accompanied by traditional music played on instruments such as marimbas, maracas, drums, and flutes.
Punta is an Afro-indigenous dance and cultural music of the Belizean, Guatemalan, Honduran and Nicaraguan Garífuna people, originating from the Caribbean island of Saint Vincent and the Grenadines (also known as Yurumei). It has African and Arawak elements which are also the characteristics of the Garífuna language.
Deer dance of Sonora and Sinaloa, Mexico Deer dance of Hanamaki, Iwate Deer dance of Oshu, Iwate, performed at Kitakami Michinoku Traditional Dance Festival. A deer dance is any of the world's folk dances performed by people dressed as deer.
Rabin Ajaw also known as Rabin Ajau or Rab'in Ajaw, is an annual indigenous Mayan festival held in the Verapaces area of Guatemala, with the focus being in the city of Cobán. It is celebrated on the last Saturday of July. It is considered the largest and most important Mayan festival.
The Rabinal Achí is a Maya theatrical play written in the Kʼicheʼ language [1] and performed annually in Rabinal, Baja Verapaz, Guatemala. Its original name is Xajoj Tun, meaning "Dance of the Tun" instrument also known as wooden drum. [2] [3] This is one of the few surviving performance pieces from before colonization. It takes place every ...
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The style has spread to places where the Garifuna migrated, but the highest concentration of population and use of the music/dance style persists in Belize, Guatemala and Honduras. [1] The Latin-American influence of paranda is seen in its use of serenade and solemn social commentary accompanied by acoustic guitar.