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  2. Locked hands style - Wikipedia

    en.wikipedia.org/wiki/Locked_hands_style

    The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing. The other 3 notes of the chord are voiced as closely as possible below the melody note, which is the definition of a block chord. [1]

  3. List of musical symbols - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_symbols

    Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...

  4. Play a Simple Melody - Wikipedia

    en.wikipedia.org/wiki/Play_a_Simple_Melody

    The show was the first stage musical that Berlin wrote. It ran for 175 performances at the New Amsterdam Theater in New York City.The one song from the show that is well-remembered today is "Play a Simple Melody," one of the few true examples of counterpoint in American popular music — a melody running against a second melody, each with independent lyrics.

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  6. Nonchord tone - Wikipedia

    en.wikipedia.org/wiki/Nonchord_tone

    Chord and nonchord tones are defined by their membership (or lack of membership) in a chord: "The pitches which make up a chord are called chord-tones: any other pitches are called non-chord-tones." [3] They are also defined by the time at which they sound: "Nonharmonic tones are pitches that sound along with a chord but are not chord pitches."

  7. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.