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Artists whose subject was mostly or exclusively flowers. Subcategories. This category has the following 4 subcategories, out of 4 total. ... Pages in category "Flower ...
Georgia Totto O'Keeffe (November 15, 1887 – March 6, 1986) was an American modernist painter and draftswoman whose career spanned seven decades and whose work remained largely independent of major art movements.
Georgia O'Keeffe, Red Canna, 1919, High Museum of Art, Atlanta, Georgia. The American artist Georgia O'Keeffe is best known for her close-up, or large-scale flower paintings, [1] which she painted from the mid-1920s through the 1950s. [2] She made about 200 paintings of flowers of the more than 2,000 paintings that she made over her career. [3]
The popularity of Badger's graceful, stylized paintings in her own day was "dwarfed by her male counterparts; only now is she being applauded as a fine botanical artist". [5] Her style was different from her male counterparts. Some of her pieces focus on a single flower, but many times she would include many flowers.
An art exhibit in Tokyo showcased carpets featuring classic Japanese “Kabuki” actors made from over 50,000 carnation petals. Artists use over 50,000 flowers to create portraits for “Kabuki ...
It is a depiction of the large petals of the exterior of the flower, with focus on the interior through the use of contrasting shades of colors. The painting was made with red, orange, brown, and pink paint. [12] The 22 in × 17 in (56 cm × 43 cm) abstract oil painting is owned by private collectors. [13]
Claude Monet, The Water Lilies – The Clouds, 1920–1926, Musée de l'Orangerie, Paris Claude Monet, The Water Lilies – Setting Sun, 1920–1926, Musée de l'Orangerie, Paris Claude Monet, Reflections of Clouds on the Water-Lily Pond, c. 1920, 200 × 1276 cm (78.74 × 502.36 in), oil on canvas, Museum of Modern Art, New York City
[22] [23] The focus is not on "timidity" and "scrupulously correctness" but rather on "the spirit of free composition". [3] In addition to the informal, random position of the bouquets, [22] the "brisk" [20] painting also contributes to this. [3] Just as only a "real" artist is able to make use of, Klein captures the liveliness and atmosphere ...