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A deckle is a removable wooden frame or "fence" used in manual papermaking. The deckle is placed into a mould to keep the paper pulp slurry within the bounds of the wire facing on a mould, and to control the size of the sheet produced. The mould and deckle is dipped into a vat of water and paper pulp that has been beaten (fibrillated).
In papermaking, a deckle edge is a feathered edge on a piece of paper, in contrast to a cut edge. Before the 19th century, the deckle edge was unavoidable, a natural artifact of the production process in which sheets of paper were made individually on a deckle , a wooden frame. [ 1 ]
The wooden frame is called a "deckle". The deckle leaves the edges of the paper slightly irregular and wavy, called " deckle edges ", one of the indications that the paper was made by hand. Deckle-edged paper is occasionally mechanically imitated today to create the impression of old-fashioned luxury.
In the outbuilding of the museum he runs a modern papermaking workshop. There, the classical papermaking industry is experiencing a renaissance: Each sheet of handmade paper is drawn by hand and dried in air as it was then. The paper differs from the machine-made papers in its finely grained surface and four-sided deckle edge.
Then in the 1830s and 1840s, two men on two different continents took up the challenge, but from a totally new perspective. Both Friedrich Gottlob Keller and Charles Fenerty began experiments with wood but using the same technique used in paper making; instead of pulping rags, they thought about pulping wood. And at about the same time, by mid ...
Deckle, a removable wooden frame used in manual papermaking; Dekel, a moshav in southern Israel This page was last edited on 27 September 2024, at 20:20 (UTC). Text ...
A shillelagh (/ ʃ ɪ ˈ l eɪ l i,-l ə / shil-AY-lee, -lə; Irish: sail éille or saill éalaigh [1] [ˌsˠal̠ʲ ˈeːlʲə], "thonged willow") is a wooden walking stick and club or cudgel, typically made from a stout knotty blackthorn stick with a large knob at the top. It is associated with Ireland and Irish folklore.
Morris was not merely trying to replicate 15th-century printing practices. He preferred the iron hand-press of the 19th century to the medieval wooden ones, because the weaker wooden presses had to print on wet paper to get a print from a woodblock. Printing on wet paper weakened the press and subsequently, the book itself.