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Ferdinand Victor Eugène Delacroix (/ ˈ d ɛ l ə k r w ɑː, ˌ d ɛ l ə ˈ k r w ɑː / DEL-ə-krwah, - KRWAH; [1] French: [øʒɛn dəlakʁwa]; 26 April 1798 – 13 August 1863) was a French Romantic artist who was regarded as the leader of the French Romantic school.
By the time Delacroix painted Liberty Leading the People, he was already the acknowledged leader of the Romantic school in French painting. [4] Delacroix, who was born as the Age of Enlightenment was giving way to the ideas and style of romanticism, rejected the emphasis on precise drawing that characterised the academic art of his time, and instead gave a new prominence to freely brushed colour.
Liberty Leading the People by Eugène Delacroix. The Salon of 1831 was an art exhibition held at the Louvre in Paris between June and August 1831. [1] It was the first Salon during the July Monarchy and the first to be held since the Salon of 1827, as a planned exhibition of 1830 was cancelled due to the French Revolution of 1830.
Shipwreck on the Coast is an 1862 maritime painting by the French artist Eugène Delacroix. [1] [2] It drew inspiration from the works of Giovanni Battista Piranesi. [3] Viewed from a rocky coastline it shows a completely dismasted vessel. [4] It was part of a thriving tradition in nineteenth century art depicting shipwrecks. [5]
[42] The painting's influence is seen in Delacroix's The Barque of Dante (1822) and reappears as inspiration in Delacroix's later works, such as The Shipwreck of Don Juan (1840). [ 74 ] According to Wellington, Delacroix's masterpiece of 1830, Liberty Leading the People , springs directly from Géricault's The Raft of the Medusa and Delacroix's ...
Louis d'Orléans Showing Off His Mistress is an oil painting on canvas produced in 1825–1826 by the French artist Eugène Delacroix, now in the Thyssen-Bornemisza Museum in Madrid. It shows Louis I, Duke of Orléans , his chamberlain Albert Le Flamenc and Mariette d'Enghien , who was both Le Flamenc's wife and the Duke's mistress. [ 2 ]
Delacroix introduced a dramatic contrast of action, violence and nudity in an exotic setting, in his Death at Sardanapale (1827), a theme inspired by Byron. [1] Delacroix's work was an example of another tendency of romanticism, the use of exotic settings; in French romanticism, these were usually in Egypt or the Middle East.
The Natchez is an oil-on-canvas painting executed ca. 1834–35 by the French Romantic artist Eugène Delacroix. It depicts a Native American couple with their newborn child. The painting was inspired by a passage in Chateaubriand's Atala, which describes the family as the last members of the Natchez tribe after a massacre committed by the French.