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Craigslist headquarters in the Inner Sunset District of San Francisco prior to 2010. The site serves more than 20 billion [17] page views per month, putting it in 72nd place overall among websites worldwide and 11th place overall among websites in the United States (per Alexa.com on June 28, 2016), with more than 49.4 million unique monthly visitors in the United States alone (per Compete.com ...
The Los Angeles Free Music Society (LAFMS) is a loose underground collective of experimental avant-rock artist-musicians formed in 1973. Described as a "lightning rod for art-damage, weird-music lovers everywhere," LAFMS was formed by Chip Chapman, Joe Potts, Rick Potts and Tom Recchion.
Blue Saxophone is an album by saxophonist Teddy Edwards recorded in 1992 and released on the French Verve/Gitanes label. [1] [2] [3] Reception. Professional ratings;
Here's a list of 18 holiday toy drives by local organizations in Los Angeles and Orange counties this year. ... Admission is free with a new and unwrapped toy, which will be given to community ...
Davis was born in Independence, Kansas in 1916. In 1937, he moved to Los Angeles, California, playing saxophone in the Fletcher Henderson orchestra. After some years playing swing and jazz, he became more involved in the West Coast R&B scene in the mid-1940s, becoming a regular session musician and arranger for the fast-growing independent record labels such as Aladdin. [2]
Following the lead of their colleagues in France, who created the Association of French Saxophonists in 1971, the North American Saxophone Alliance was established in 1976 under the leadership of Frederick Hemke. Since this time, NASA has offered state, regional, and international conferences attracting many important saxophonists to present ...
Louis Eugene Marini Jr. (born May 13, 1945), known as "Blue Lou" Marini, is an American saxophonist, arranger, and composer. He is best known for his work in jazz , rock , blues , and soul music , as well as his association with The Blues Brothers .
A sales representative for Grafton (or the owner of the company, depending on the source) asked Parker to use a Grafton for a Massey Hall gig in May 1953. Although Parker was under exclusive contract to use only one type of saxophone while gigging in the United States, outside the U.S. he was free to use any sax he wished.