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The Charge of the Goddess (or Charge of the Star Goddess) is an inspirational text often used in the neopagan religion of Wicca.The Charge of the Goddess is recited during most rituals in which the Wiccan priest/priestess is expected to represent, and/or embody, the Goddess within the sacred circle, and is often spoken by the High Priest/Priestess after the ritual of Drawing Down the Moon.
The High Priestess (II) is the second Major Arcana card in cartomantic Tarot decks. It is based on the 2nd trump of Tarot card packs . In the first Tarot pack with inscriptions, the 18th-century woodcut Tarot de Marseilles , this figure is crowned with the Papal tiara and labelled La Papesse , the Popess , a possible reference to the legend of ...
Ceremonial magic (also known as magick, ritual magic, high magic or learned magic) [1] encompasses a wide variety of rituals of magic. The works included are characterized by ceremony and numerous requisite accessories to aid the practitioner.
If you pull the High Priestess tarot card in a reading, here's what it means, including the upright and reversed interpretations as well as some keywords.
He is an exoteric figure, in contrast to the esoteric symbolism of The High Priestess. [2] Reversed, the Hierophant can be interpreted as standing for unorthodoxy, originality, and gullibility. [7] According to A.E. Waite's 1910 book Pictorial Key to the Tarot, the Hierophant card carries several divinatory associations: 5.
Drawing down the Moon (also known as drawing down the Goddess) is a central ritual in many contemporary Wiccan traditions. During the ritual, a coven 's High Priestess enters a trance and requests that the Goddess or Triple Goddess , symbolized by the Moon , enter her body and speak through her.
In the symbolic version the high priestess plunges the athame, or ritual knife that represents the masculine, into a cup or chalice which represents the feminine. The chalice is filled with wine and is held by the high priest.
The gallows from which he is suspended forms a Tau cross, while the figure—from the position of the legs—forms a fylfot cross. There is a nimbus about the head of the seeming martyr. It should be noted (1) that the tree of sacrifice is living wood, with leaves thereon; (2) that the face expresses deep entrancement, not suffering; (3) that ...