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Rococo painting also illustrates, in its first version, the social schism that would lead to the French Revolution, and represents the last symbolic bastion of resistance of an elite distant from the problems and interests of the common people, and that was increasingly threatened by the rise of the middle class, which was educated and began to ...
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Mezzetino (transl. Mezzetin; French: Mézetin) is an oil-on-canvas painting in the Metropolitan Museum of Art, New York, by the French Rococo painter Jean-Antoine Watteau. Dated within 1717–1720, Mezzetino forms a full-length single-figure composition, depicting the eponymous character in commedia dell'arte.
Jean-Honoré Fragonard (French: [ʒɑ̃ ɔnɔʁe fʁaɡɔnaʁ]; 5 April 1732 [1] [2] – 22 August 1806) was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism.
Painting turned toward "fêtes galantes", theater settings and the female nude. Painters from this period include Antoine Watteau , Nicolas Lancret and François Boucher . The Louis XV style of decoration (although already apparent at the end of the last reign) was lighter: pastels and wood panels, smaller rooms, less gilding and fewer brocades ...
People in Rococo painting by artists like Antoine Watteau, Jean-Baptiste van Loo, François Boucher, or Jean Siméon Chardin have cupid-like faces. Of course, this feature is present in sculpture too, including mascarons. Like in the case of Baroque architecture, most Rococo mascarons are placed on keystones of arched doors or windows.
Rococo architecture, prevalent during the reign of Louis XV in France from 1715 to 1774, is an exceptionally ornamental and exuberant architectural style characterized by the use of rocaille motifs such as shells, curves, mascarons, arabesques, and other classical elements.
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