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The "Mars" of Todi, a life-sized bronze. The Mars of Todi is a near life-sized bronze warrior, dating from the late 5th or early 4th century BC, believed to have been produced in Etruria for the Umbrian tribe. It was found near Todi (ancient Tuder), on the slope of Montesanto, in the property of the Franciscan Convent of Montesanto.
Norse. Tyr. In ancient Roman religion and mythology, Mars (Latin: Mārs, pronounced [maːrs]) [4] is the god of war and also an agricultural guardian, a combination characteristic of early Rome. [5] He is the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month ...
Archetypal psychology relativizes and deliteralizes the notion of ego and focuses on what it calls the psyche, or soul, and the deepest patterns of psychic functioning, "the fundamental fantasies that animate all life" (Moore, in Hillman, 1991). Archetypal psychology likens itself to a polytheistic mythology in that it attempts to recognize the ...
One of the best known examples of free-standing or isolated statue of this phase is the cult sculpture of Apollo of Veii, currently in the National Etruscan Museum of Villa Giulia. [ 1 ] During this period important changes were made in sculpture also due to changes in the field of architecture and religion .
Satellite photograph of a mesa in the Cydonia region of Mars, often called the "Face on Mars" and cited as evidence of extraterrestrial habitation. Pareidolia (/ ˌ p ær ɪ ˈ d oʊ l i ə, ˌ p ɛər-/; [1] also US: / ˌ p ɛər aɪ-/) [2] is the tendency for perception to impose a meaningful interpretation on a nebulous stimulus, usually visual, so that one detects an object, pattern, or ...
The Mars of Todi is an ancient Etruscan bronze statue from the late 400s BC; in the Gregorian Etruscan Museum. This museum was founded in the early 19th century by Pius VII, whose surname before his election as Pope was Chiaramonti. The museum consists of a large arched gallery in which are exhibited several statues, sarcophagi and friezes.
After the Etruscan defeat in the Roman–Etruscan Wars (264 BCE), the remaining Etruscan culture began to be assimilated into the Roman. The Roman Senate adopted key elements of the Etruscan religion, which were perpetuated by haruspices and noble Roman families who claimed Etruscan descent, long after the general population of Etruria had forgotten the language.
Ludovisi Ares. The Ludovisi Ares is an Antonine Roman marble sculpture of Ares, a fine 2nd-century copy of a late 4th-century BCE Greek original, associated with Scopas or Lysippus: [1] thus the Roman god of war receives his Greek name, Ares. Ares/Mars is portrayed as young and beardless and seated on a trophy of arms, while an Eros plays about ...