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Opposite of H2O is the debut studio album by American rapper Drag-On. [5] Originally scheduled for a January 25, 2000 release, it was ultimately released on March 28, 2000, through Interscope Records and Ruff Ryders. [6]
P-Killer Trackz: 4:18: 10. "Got Gwop" Raw Beatz: 4:44: 11. "L.A. Shit" Knock: 4:12: 12. "Blind Livin'" (featuring Tha Realest) P-Killer Trackz: 4:00: 13. "Up All Nite ...
Featuring production from Ruff Ryders producers Swizz Beatz, P. Killer Trackz, and DJ Shok, it also featured guest appearances from Drag-On and The LOX. The album debuted atop the Billboard 200, selling close to 700,000 copies in its first week. With over five million copies sold in total, the album remains the best selling album for both DMX ...
Too Gangsta for Radio is a compilation album by Death Row Records, released on September 26, 2000. Production was handled by Cold 187um, Break Bread Productions, Kenny McCloud, Myrion, Quincy Jones III, VMF, Ant Banks, Big Hollis, Blaqthoven, Daz Dillinger, Gary "Sugarfoot" Greenberg, Kurt "Kobane" Couthon, LJ and P. Killer Trackz, with Suge Knight serving as executive producer.
Styles P was the second member of the Lox to record a solo album, after Kiss Tha Game Goodbye by Jadakiss was released in August 2001. The album contains production by the Alchemist , Rockwilder, Ayatollah, DJ Clue and Swizz Beatz who Styles had worked with previously on various Ruff Ryders recordings including the sophomore album We Are the ...
The All-Clad Factory Seconds Sale just started: Get up to 73% off All-Clad cookware. AOL. The Wonder Oven is $20 off for Presidents' Day. AOL. We tested The Pink Stuff, a must-have for cleaning ...
Universal Production Music (UPM), formerly known as Killer Tracks, is a company that produces and licenses production music for use in film, television, advertising and interactive media. The company was founded in Hollywood, California, in 1989 with an original catalog of 30 CDs.
The combination of Killer Mike's menacing Hulk power and El-P's sneering quips and lively production make Run the Jewels a thrilling experience. Everything about RTJ is hyperbolic excess -- both in attitude and sound -- stomping boot prints into the concrete and hurling innocent bystanders through brick walls."