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Epitaph is a German rock band, formed in Dortmund in 1969. Playing initially what Allmusic described as "post-psych progressive rock, spiced with occasional jazz accents and widespread twin-guitar harmonies," [1] in 1973 they started shifting towards more straightforward hard rock (later heavy metal) stylings and, having released six studio albums, disbanded in 1982.
Allows users to provide annotations and interpretation of song lyrics. Musixmatch: Lyrics Audio based music recognition and provision of song lyrics. Yes. SecondHandSongs: Covers User-generated database of covers and samples of songs, with links to public recordings. >1,100,000 performances >100,000 works Multilingual recordings. No special ...
The American version of this Punk-O-Rama series release includes songs by Millencolin, Hot Water Music, The (International) Noise Conspiracy, Pennywise, Division of Laura Lee, NOFX, Randy, Pulley, The Bouncing Souls, Beatsteaks, Bad Religion, Deviates, Dropkick Murphys, Rancid, Death by Stereo, Agnostic Front, 1208, 98 Mute, and Guttermouth.
Epitaph chose to change the name of the compilation series because the name "Punk-O-Rama", especially in its later releases, no longer reflected the wide range of music released on the compilations. Unsound is similar to the last two entries in the Punk-O-Rama series in that it is a two-disc set with a CD and a DVD , which contains music videos ...
Pages in category "Epitaph Records compilation albums" The following 8 pages are in this category, out of 8 total. ... More Songs About Anger, Fear, Sex & Death; P.
Epitaph signed Australian punk band Dangerous! in 2011 and released album Teenage Rampage. Epitaph had also signed the Canadian punk rock band Propagandhi . The label has also been more active in signing bands from the emo revival including The Menzingers , Joyce Manor , Pianos Become the Teeth , Defeater , the World Is a Beautiful Place & I Am ...
Being a characteristic feature on previous recordings, on Epitaph Front Line Assembly did not use samples. "This is the first time we quit using movie samples.", said Bill Leeb to Belgian magazine Side-Line and cited the more important role of samples in contemporary music and its financial side: "Sampling is an artform which was criticised in the beginning, but now it's a respected artform ...
"Epitaph" is the third track on British progressive rock band King Crimson's 1969 album In the Court of the Crimson King. It was written by Robert Fripp, Ian McDonald, Greg Lake, and Michael Giles with lyrics written by Peter Sinfield. The song is noted for its heavy use of the Mellotron.