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Haber (film) Hitler (1962 film) Hitler – Dead or Alive; The Hitler Gang; Hitler Goes Kaput! Hitler: The Last Ten Days; Hitler über Deutschland; Hitler: A Film from Germany; Hitler: The Rise of Evil; Hitler's Folly; Hitler's Reign of Terror; Hitler's SS: Portrait in Evil; Hotel Lux (film)
Adolf Hitler [a] (20 April 1889 – 30 April 1945) was an Austrian-born German politician who was the dictator of Nazi Germany from 1933 until his suicide in 1945. He rose to power as the leader of the Nazi Party , [ c ] becoming the chancellor in 1933 and then taking the title of Führer und Reichskanzler in 1934.
The film opened in 26 theatres in West Germany on the anniversary of Hitler's birth on 20 April 1973, which led to several groups objecting to the film. Initially, the movie was a moderate success at the box office. [5] In its first nine days at the Empire, Leicester Square in London, the film grossed £17,860 ($41,971). [6]
The film stars Richard Basehart in the title role of Adolf Hitler; Cordula Trantow stars as Geli Raubal, Maria Emo as Eva Braun and John Banner as Gregor Strasser. [1] According to film critic and historian Leonard Maltin, Basehart "gives a cerebral interpretation" of Hitler during the timeframe he was the leader of Nazi Germany. [2]
Downfall (German: Der Untergang) is a 2004 historical war drama film written and produced by Bernd Eichinger and directed by Oliver Hirschbiegel.It is set during the Battle of Berlin in World War II, when Nazi Germany is on the verge of total defeat, and depicts the final days of Adolf Hitler (portrayed by Bruno Ganz).
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The film, exclusively utilising archival footage, closely examines Hitler's rise to power, and also aims to explain why people living in Germany loved Hitler.Fest argues that Hitler was a clever, scheming and incredibly adaptable politician, who was keen to exploit any weakness he saw in the political system and in the masses who, humiliated by the outcome of WWI, were willing to support a ...
The Nazis were very aware of the propagandistic effect of movies and already in 1920 the issues of the Racial Observer included film criticism. [2] The SS-philosopher Walter Julius Bloem published the book The Soul of the Cinema – A Commitment to the Movies in 1922.