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Weird SoundCloud, or SoundClown, [1] [2] is a mashup parody music scene taking place on the online distribution platform SoundCloud. The scene has been described by its producers and music journalists to be a satirical take on electronic dance music , and useless, throwaway internet content .
Lương Trương Quỳnh Anh appeared on the show's last season but did not turn a chair. Trần Thị Vân Anh auditioned for the show's fifth season but failed to make a team. Nguyễn Đỗ Khánh An was the winner of Bolero Idol Kids in 2018.
In 2012, Khoa returned to Vietnam to start his career as a streamer with the game Dota 2, nicknamed "PewPew". [5] His goal is to popularize the game Dota 2 in Vietnam with the desire to have at least 1 million participants. In the early years, PewPew's videos had very few views.
Nguyễn Khoa Tóc Tiên (Vietnamese: [tɐwk͡p̚˧ˀ˦ tiɜŋ˧]; born 13 May 1989), [1] known simply as Tóc Tiên, is a Vietnamese singer.. Beginning her career as a child, Tiên later became a teen idol, participating in several singing competitions and releasing two studio albums: Nụ cười nắng mai (2007) and Tóc Tiên thiếu nữ (2008).
Currently, YouTube is the main video-sharing platform. Many MVs have started to trend on YouTube in Western countries in the late 2010s and early 2020s. However, sad, melodic ballad songs, such as historical war songs, war movie soundtracks, pre-1975 South Vietnamese pop songs, or musical shows such as Paris by Night , are also still popular ...
Trương or Truong is a Vietnamese surname. Individuals with the surname Trương make up approximately 2.2% of the population and rank eighth on the list of the most common surnames in Vietnam. They are primarily of Kinh ethnicity (Vietnamese people) but also include people from the Chinese, Cham, Tho, and San Diu ethnic groups in Vietnam.
Sweet Trip was an American electronic/experimental rock act formed in 1993 in the Bay Area of California by musicians Valerie Cooper and Roberto Burgos. They are known for their dreamy soundscapes and dense production techniques, often blending alternative rock subgenres with intelligent dance music.
During the 1970s, executive producer Yoshiko Nishimura read the 1968 novel Saka no Ue no Kumo by Ryōtarō Shiba when he was a student at the University of Tokyo. [3] Though he dreamt of what the novel would look like on screen, his seniors at the NHK drama department thought that adapting the work was inconceivable; Shiba continuously refused throughout his life to let anyone adapt his ...