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Supplementary weaving is a decorative technique in which additional threads are woven into a textile to create an ornamental pattern in addition to the ground pattern. The supplementary weave can be of the warp or of the weft. [ 1 ]
These techniques include designs worked by a supplementary weave warp, embroidery, the application of beads and shells, and, occasionally, tufting with supplementary yarns. The figures used in these textiles appear in light-colored yarns on plain backgrounds of dark blue, red, brown, or black. Lau pahudu are skirts worked with supplementary warp.
Soumak is a type of flat weave, somewhat resembling kilim, but with a stronger and thicker weave, a smooth front face and a ragged back, where kilim is smooth on both sides. Soumak lacks the slits characteristic of kilim, as it is usually woven with supplementary weft threads as continuous supports.
When the weft is floating on the back, this is known as a continuous brocade; the supplementary weft runs from selvage to selvage. The yarns are cut away in cutwork and broché. Also, a discontinuous brocade is where the supplementary yarn is only woven in the patterned areas.
The warp pattern designs are characterized by their supplementary warp floating technique that forms bands of repeated motifs on ground. The different warp pattern designs are differentiated with their color schemes. The number of legs or cross hatches in each supplementary warp pattern band is one indicator of the superiority of the textile.
Songket weaving is done in two stages, weaving the basic cloth with even or plain weaving and weaving the decoration inserted into basic cloth, this method is called "inlay weaving system". [14] The shining gold, silver or silk threads were inserted and woven into the plain weave base cloth in certain motifs, creating a shimmering effect of ...
Print/export Download as PDF; ... Textile patterns (1 C, 31 P) Properties of textiles ... Supplementary weaving; Synthetic fabric; T. Tarpaulin;
The weaving technique is the dying of the thread is complex and ritualized, as described in the page on geringsing. Once dyed, the warp is laid out on the loom and the cloth is woven in a loose balanced weave. The pattern is carried by both the warp and the weft. Great precision is needed at all stages of the production.