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Nikah halala (Urdu: نکاح حلالہ), also known as tahleel marriage, [1] is a practice in which a woman, after being divorced by her husband by triple talaq, marries another man, consummates the marriage, and gets divorced again in order to be able to remarry her former husband. [2]
"Shikwa" (Urdu: شکوہ, "Complaint") and "Jawab-e-Shikwa" (Urdu: جواب شکوہ, "Response to the Complaint") are poems written by Muhammad Iqbal, in the Urdu language, which were later published in his book Bang e Dara The poems are often noted for their musicality, poetical beauty and depth of thought.
Khulʿ (Arabic: خلع), also called khula, is a procedure based on traditional jurisprudence, that allows a Muslim woman to initiate a divorce [1] by returning the mahr and everything she received from him during their life together, or without returning anything, as agreed by the spouses or judge's decree, depending on the circumstances.
Feroz-ul-Lughat Urdu Jamia (Urdu: فیروز الغات اردو جامع) is an Urdu-to-Urdu dictionary published by Ferozsons (Private) Limited. It was originally compiled by Maulvi Ferozeuddin in 1897. The dictionary contains about 100,000 ancient and popular words, compounds, derivatives, idioms, proverbs, and modern scientific, literary ...
“Love me tender, love me sweet / Never let me go / You have made my life complete / And I love you so.” — Elvis Presley, “Love Me Tender” This classic song will show your sweetheart that ...
Pir-e-Kamil or Peer-e-Kamil (Urdu: پیر کامل صلی اللہ علیہ و آلہ و سلم; meaning "The Perfect Mentor") is a novel written by Pakistani writer Umera Ahmad. [1] It was first published in Urdu in 2004 and later in English in 2011.
Lab Pe Aati Hai Dua" (Urdu: لب پہ آتی ہے دعا; also known as "Bachche Ki Dua"), is a duʿā or prayer, in Urdu verse authored by Muhammad Iqbal in 1902. [1] The dua is recited in morning school assemblies almost universally in Pakistan , [ 2 ] [ 3 ] and in Urdu-medium schools in India .
The ideal relationship between the divine and devotee in Sikhism is envisioned as a soul-bride, in which the devotee is a wife longing for her husband (kant), which is God. [2] This is a recurring theme through the Sikh canon. [2] The devotee is pained by the state of being separate from God and craves reunion with God. [2]