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Highlife is characterized by jazzy horns and guitars which lead the band and its use of the two-finger plucking guitar style that is typical of African music. Recently it has acquired an uptempo, synth-driven sound. [2] [3] Highlife gained popularity and the genre spread throughout West African regions.
Igbo highlife is a contemporary musical genre that combines highlife and Igbo traditional music. The genre is primarily guitar-based music, with a rare characteristic blend of horns and vocal rhythms. [1] [2] Igbo highlife lyrics are sung mostly in Igbo with occasional infusion of Pidgin English. [3]
He succeeded in completely transforming highlife into the call-and-response pattern of African music. [4] Following the Nigerian Civil War in the late 1960s, the massive exodus of the eastern peoples of Nigeria (especially the Igbo) out of western Nigeria had caused the death of the Highlife's prominence in the then capital, Lagos. During the ...
Owerri Bongo (Bongo/Igbo Bongo) is a style of Igbo highlife music that has its origins in the Igbo people of Owerri and spread around all Imo State, which is in eastern Nigeria. The musical style is a sub-genre of Igbo highlife music. [1] Unlike Igbo highlife, which is known for its brass horns and often somber feel.
This is a list of notable Nigerian highlife musicians arranged in alphabetical order. There are several other genres of music in Nigeria these include Ikorodo , Igbo gospel , Owerri Bongo , Fuji music , Ekpili Jùjú music , Apala , Were music and Highlife .
In the late 1950s he was active in the influential highlife bands the Stargazers and the Broadway Dance Band. In 1962, Taylor took his group, the Black Star Highlife Band, to London. In London, Taylor collaborated with Nigerian afrobeat Initiator Fela Kuti as well as other African musicians in Britain at the time. [2] [3]
Igbo music (Igbo: Egwu nkwa ndi Igbo) is the music of the Igbo people, who are indigenous to the southeastern part of Nigeria. The Igbo traditionally rely heavily on percussion instruments such as the drum and the gong, which are popular because of their innate ability to provide a diverse array of tempo, sound, and pitch. [ 1 ]
On its cover is art that showcases Alade as an African royal. This is an afrobeats record that is built mostly in elements of highlife and dancehall. The melodies of Empress are suited to a live experience. [4] Alade revealed in an interview that when she released her previous album Woman of Steel, she was already recording Empress. She spent ...