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Andrew Marvell (/ ˈ m ɑːr v əl, m ɑːr ˈ v ɛ l /; 31 March 1621 – 16 August 1678) was an English metaphysical poet, satirist and politician who sat in the House of Commons at various times between 1659 and 1678.
"To His Coy Mistress" is a metaphysical poem written by the English author and politician Andrew Marvell (1621–1678) either during or just before the English Interregnum (1649–60). It was published posthumously in 1681. [2] This poem is considered one of Marvell's finest and is possibly the best recognised carpe diem poem in English ...
Andrew Marvell wrote many poems. The works of the metaphysical poet and politician Andrew Marvell consists of lyric poems, Latin poems, and political and satirical pamphlets, many printed anonymously or circulated privately.
The Garden" is a widely anthologized poem by the seventeenth-century English poet, Andrew Marvell. The poem was first published posthumously in Miscellaneous Poems (1681). [ 1 ] “ The Garden” is one of several poems by Marvell to feature gardens, including his “Nymph Complaining for the Death her Fawn,” “The Mower Against Gardens ...
Upon Appleton House" is a poem written by Andrew Marvell for Thomas Fairfax, 3rd Lord Fairfax of Cameron. It was written in 1651, when Marvell was working as a tutor for Fairfax's daughter, Mary. It was written in 1651, when Marvell was working as a tutor for Fairfax's daughter, Mary.
"The Mower's Song" is a pastoral poem by English poet Andrew Marvell, published posthumously in 1681. The work is the last of a series of four poems by Marvell known as the Mower poems. [ 1 ] Though the mower in this poem is not named, scholars have stated that all the Mower poems are in the voice of Damon the Mower.
The most common themes that are written about in ... Andrew Marvell was a great exponent of the pastoral form, contributing such works as "The Nymph Complaining for ...
An English-language modernist group founded in 1914 that poetry based on description rather than theme, and on the motto, "the natural object is always the adequate symbol" [94] Ezra Pound, H.D., Richard Aldington: Dada: Touted by its proponents as anti-art, the Dada avant-garde focused on going against artistic norms and conventions [95]