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"Driftwood" is a 1978 single by the English progressive rock band the Moody Blues. It was the second single released from the album Octave, after "Steppin' in a Slide Zone". Written by Justin Hayward, "Driftwood" is a slow love ballad, in a similar manner to "Nights in White Satin" and "Never Comes the Day."
Caught Live is the first Moody Blues album since Days of Future Passed not to feature cover artwork by Philip Travers. Decca Records instead used British art design group Hipgnosis . The "+5" studio tracks were re-released on their 1987 album Prelude .
The Moody Blues live in 1981. Former Yes keyboardist Patrick Moraz joined the Moody Blues for the Octave World Tour. The album sold well and produced two minor hits in "Steppin' in a Slide Zone" (No. 39 in the US) and "Driftwood" (No. 59 in the US). The Moody Blues toured the US and Europe during much of 1979.
Lovely to See You: Live is a two-disc live album by The Moody Blues. Released on 15 November 2005, Lovely to See You: Live was recorded at a performance at the Greek Theater in Los Angeles, California. The album is named after The Moody Blues song "Lovely to See You", from their 1969 album On the Threshold of a Dream.
You have to remember in 1970, there was the Cold War, the Iron Curtain. People from Eastern Europe were devoid of listening to Western music, but the Isle of Wight changed all that. We had so many people going to the Isle of Wight to listen to music. It was like the first gathering of young people around the world, all united for one thing ...
The performance was the first time in the band's history that they had played the entire Days of Future Passed album live, [3] and is particularly notable for the inclusion of songs written by Mike Pinder, whose material has seldom been included in the band's live sets since his 1978 departure. Justin Hayward and John Lodge, respectively, sing ...
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"Ride My See-Saw" is a 1968 single by the English progressive rock band the Moody Blues. It was written by the band's bassist John Lodge, and was first released on the Moody Blues' 1968 album In Search of the Lost Chord. It was the second of two singles from that album, the other being "Voices in the Sky".