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The kong chmol (គងឈ្មោល, literally male gong) is a Cambodian flat-faced gong, with different sizes and pitches, played in an ensemble, with players each playing one gong and responsible for one pitch, memorizing the music to play their pitch at appropriate times. [1]
A Gong depicted on the 15th-century temple reliefs at the Candi Sukuh in Central Java, Indonesia. Suspended gongs are played with hammers and are of two main types: flat faced discs, either with or without a turned edge and gongs with a raised centre boss.
The gong may also be beaten with fists. [2] It is used in the Bassac theater for sound affects or to accompany. [1] It is also used for wedding processions, when the bridegroom goes to the bride's house. [1] The gong is round and flat-faced, made of a copper-brass alloy. [1] It has a hole on the edge, through which a string is tied to make a ...
A kempul is a type of hanging gong used in Indonesian gamelan.The kempul is a set of pitched, [1] hanging, knobbed gongs, often made of bronze, wood, and cords. [2] Ranging from 19 to 25.4 cm (7.5 to 10.0 in) in diameter, the kempul gong has a flat surface with a protruding knob at the center and is played by hitting the knob with the "soft end of a mallet."
The lau (Khmer: ឡោ) is a Cambodian flat-faced gong, measuring approximately 25 centimeters across, used in Bassac theater for scenes requiring a loud instrument, such as battle scenes. [1] It is also used to signal the entrance and exit of important characters. [1] [2]
A gong chime is a generic term for a set of small, high-pitched bossed pot gongs. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame. The frames can be rectangular or circular (the latter are sometimes called "gong circles"), and may have one or two rows of gongs.
The Khmer word korng/ kong "gong" is refers to all types of gong including the flat or bossed gong, single or in a set, suspended on cords from hooks, or a gong placed over a frame. The history of these gongs can be traced in part from the epigraphy and iconography of Funan-Chenla and Angkor periods, for many can be seen carved on ancient Khmer ...
Biên khánh - a set of L-shaped flat stone chimes used in ancient court music; [1] derived from the Chinese bianqing; Cồng chiêng - tuned gong (comes in both flat and knobbed varieties) Tam âm la - set of three small, high-pitched flat gongs in a frame; used primarily in nhã nhạc music; T'rưng - bamboo xylophone