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It consists of a set of a double row of gong chimes known as the totobuang (similar to set of bonang gong chimes) and a set of tifa drums. It can also include a large gong. [1] The name comes from the instruments' collaboration. The ensemble can accompany the Maluku Island's Sawat Lenso dance. [2] [3]
The largest gong is ogung boru boru (female gong) and the smaller one is called ogung jantan (male gong), while one smaller gong is called doal and three smaller gongs are named salempong or mong-mongan. Other equipment in Gordang Sambilan is a wind instrument made of bamboo called a sarune or saleot and a pair of small cymbals called a tali ...
The Bugis people, also known as Buginese, are an Austronesian ethnic group – the most numerous of the three major linguistic and ethnic groups of South Sulawesi (the others being Makassarese and Torajan), in the south-western province of Sulawesi, third-largest island of Indonesia. The Bugis in 1605 converted to Islam from Animism. [5]
Kendhang ageng, kendhang gede (krama/ngoko, similar to gong ageng in usage), or kendhang gendhing is the largest kendang, which usually has the deepest tone. It is played by itself in the kendhang satunggal (lit. "single drum") style, which is used for the most solemn or majestic pieces or parts of pieces.
A gong chime is a generic term for a set of small, high-pitched bossed pot gongs. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame.
The original Bugis language, in which also the production is sung, is now only understood by fewer than 100 people [2] but so far only parts of it have been translated into Indonesian and no complete English language version exists either. [1] The majority of La Galigo manuscripts still existent can be found in Indonesia and the Netherlands.
Country: Indonesia: Reference: 00393: Region: Asia and the Pacific: Inscription history; Inscription: 2010 (5th session) List: Representative: Traditional Angklung (Pentatonic – Slendro Scale: Angklung Kanekes, Angklung Dogdog Lojor, Angklung Gabrag, Angklung Badeng, Angklung Bungko, Angklung Badud, Angklung Buncis, and angklung Calung) and Modern Angklung (Diatonic/Chromatic – Slendro ...
As part of the larger gong-chime culture of Southeast Asia, kulintang music ensembles have been playing for many centuries in regions of the Southern Philippines, Eastern Malaysia, Eastern Indonesia, Brunei and Timor, [15] Kulintang evolved from a simple native signaling tradition, and developed into its present form with the incorporation of ...