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Traditional art history has also placed great emphasis on the individual style, sometimes called the signature style, [28] of an artist: "the notion of personal style—that individuality can be uniquely expressed not only in the way an artist draws, but also in the stylistic quirks of an author's writing (for instance)— is perhaps an axiom ...
Performance on period instruments is a key aspect of HIP, such as this baroque orchestra (Photo: Josetxu Obregón and the Spanish ensemble La Ritirata, 2013).. Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music which aims to be faithful to the approach, manner and style of the musical ...
The clavichord is an example of a period instrument. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments".
The softness of these metals made them effective drawing instruments. [1] Goldsmiths also used metalpoint drawings to prepare their detailed, meticulous designs. Albrecht Dürer 's father was one such craftsman who later taught his young son to draw in metalpoint, to such good effect that his 1484 Self-Portrait at the Age of 13 is still ...
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]
The term "baroque trumpet" has come to mean a version of the original natural trumpet, with changes to suit modern players, who tend to play both the modern trumpet and this hybrid. The hybrid instrument is most often employed by period instrument ensembles when choosing historically informed performance practice. Originals are seldom used ...
Musica reservata – Style in a cappella vocal music of the latter half of the 16th century. Musical repertoire – Collection of music pieces played by an individual musician or ensemble, composed for a particular instrument or group of instruments, voice, or choir, or from a particular period or area.
Medieval musicians had a wide variety of instruments available to them. The Anglo-Saxon scop and gleeman were replaced in the thirteenth century by the minstrel . In the early Middle Ages, ecclesiastical music was dominated by monophonic plainchant, the separate development of British Christianity until the eighth century, led to the ...