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Arbiter Fuzz Face, ca. 1967. The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. It is designed to produce a distorted sound referred to as "fuzz", originally achieved through accident such as broken electrical components or damaged speakers.
Dallas Arbiter Fuzz Face. Arbiter Electronics released the first Fuzz Face in 1969, featuring a unique round metal housing inspired by a microphone stand and with the arrangement of volume knob, distortion knob, and logo intentionally resembling a face. The Fuzz Face's first production run lasted until 1976/77, then was reissued from 1986 until ...
The Tone Bender MKII is a three transistor circuit [1] based on the MKI.5 version, but with an additional amplifier gain stage. Sola Sound produced the circuit for Vox (who sold their version as the "Vox Tone Bender Professional MKII"), [5] Marshall (who sold their version as the "Marshall Supa Fuzz"), [6] and Rotosound (who sold their version as the "RotoSound Fuzz Box". [7]
Fuzz bass (also called bass overdrive) is a style of playing the electric bass that produces a buzzy, overdriven sound via a tube or transistor amp or by using a fuzz or overdrive pedal. Notable examples of fuzz effect units include the: Arbiter Fuzz Face , Electro-Harmonix Big Muff , Shin-ei Companion FY-2 , Univox Super-Fuzz , Vox Tone Bender ...
The origins of the Pro Co "The RAT" can be traced back to the mid-1970s, when Pro Co engineers, Scott Burnham and Steve Kiraly repaired and hot-rodded existing distortion pedals, such as the Dallas Arbiter Fuzz Face. Burnham decided he could build a superior product from the ground up, and designed what would become "The RAT" pedal.
Other early fuzzboxes include the Mosrite FuzzRITE and Arbiter Group Fuzz Face used by Jimi Hendrix, [29] the Electro-Harmonix Big Muff Pi used by Hendrix and Carlos Santana, [30] and the Vox Tone Bender used by Paul McCartney to play fuzz bass on "Think for Yourself" and other Beatles recordings. [31]
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In 1972, Gilmour installed an XLR connector to eliminate the hum coming from his Dallas Arbiter Fuzz Face; however, this was quickly removed. He also replaced the original tuners with Kluson tuners. He also replaced the original tuners with Kluson tuners.