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Huoxiang Zhengqi Shui (simplified Chinese: 藿香正气水; traditional Chinese: 藿香正氣水) is a liquid herbal formula used in Traditional Chinese medicine to "induce diaphoresis and clear away summer-heat, to resolve damp and regulate the function of the spleen and stomach". [1] It tastes bitter and pungent.
The Vietnam War had a profound impact on Vietnamese music, inspiring many protest songs and influencing the development of modern Vietnamese music, the introduction of rock came with use of electric guitars to create more aggressive sound on the songs. The main genres that were common in this period were the rock ,folk and soul.
Nhạc đỏ or literally Red Music is the common name of the revolutionary music (nhạc cách mạng) genre in Vietnam. [1] Red Music was formed during the communist Việt Minh and the First Indochina War and later strongly promoted across communist North Vietnam during the Vietnam War, to urge Northerners to achieve reunification under the Workers' Party of North Vietnam and fight against ...
Yellow music (nhạc vàng) refers to music produced in South Vietnam during the Vietnam War, named in opposition to red music (nhạc đỏ) endorsed by the socialist government of North Vietnam during the era of the Vietnamese War. Oftentimes, yellow music is also referred to like new music (tân nhạc), or sugary music (nhạc sến).
Traditional Vietnamese musical instruments are the musical instruments used in the traditional and classical musics of Vietnam. They comprise a wide range of string, wind, and percussion instruments, used by both the Viet ( Kinh ) majority as well as the nation's ethnic minorities .
Tiếng gọi thanh niên, or Thanh niên hành khúc (Saigon: [tʰan niəŋ hân xúk], "March of the Youths"), and originally the March of the Students (Vietnamese: Sinh Viên Hành Khúc, French: La Marche des Étudiants), is a famous song of the Vietnamese musician Lưu Hữu Phước.
Yellow Music (simplified Chinese: 黄色音乐; traditional Chinese: 黃色音樂; pinyin: huángsè yīnyuè) or Yellow Songs (simplified Chinese: 黄色歌曲; traditional Chinese: 黃色歌曲; pinyin: huángsè gēqǔ) was a label used to describe early generations of Shidaiqu, i.e. Chinese popular music in Shanghai from the 1920s to the 1940s.
There were three music videos in three different styles for this song, which had hardly happened in Vietnam music industry. In the making of these versions, she and 50 people crew kept working in 4 days at several studios in District 2 & 9 (Ho Chi Minh City) for 15 different sets, 12 uniquely designed costumes and 1 month for post production.