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Title Album details Peak chart positions US [1]AUS [3]UK [10]2 Originals of Little Feat: Released: January 1976; Label: Warner Bros. Formats: 2xLP; 2-LP set of Little Feat and Dixie Chicken
In late 1972 Little Feat reformed, with bassist Kenny Gradney replacing Estrada. The band also added a second guitarist in Paul Barrere, who had known George since they attended Hollywood High School in California, and percussionist Sam Clayton (brother of session singer Merry Clayton and the brother-in-law of the jazz saxophonist Curtis Amy) and as a result the band was expanded from a ...
He joined after their second album, replacing founding bassist Roy Estrada in 1972. [1] Gradney has remained their bassist ever since and coinciding with his arrival, his friend Sam Clayton also joined the band on percussion and Paul Barrere, who knew bandleader Lowell George from Hollywood High School, joined as a second guitarist and cementing the classic line-up of George, Barrere, Richie ...
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The album attained RIAA certified gold status on February 14, 1989. It is the first Little Feat studio album without Lowell George, after his death in 1979 and is one of their most successful albums, sparking a comeback by the band. The first single, "Hate to Lose Your Lovin'", earned the band their first #1 hit on the Mainstream Rock Tracks chart.
He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus.
The music of Sailin' Shoes is a mixture of pop, rock, blues and country. [2] Highlighted by a reworked group version of "Willin'", the album also featured such enduring tracks as "A Apolitical Blues," "Easy to Slip" and the title track, all by guitarist and lead vocalist Lowell George, the second co-written with Martin Kibbee, credited as "Fred Martin", a former band-mate from The Factory, and ...
The album was voted number 555 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000). [8] Writing for The Guardian in 2010, after the death of Richie Hayward, Adam Sweeting commented: The Last Record Album (1975) was a less cohesive effort, but continued the group's upward commercial progress. In hindsight, there is bleak irony ...