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Ai-Da can be displayed in either a standing or seated position; although it has legs, it cannot walk. [12] A pair of cameras in the robot's eyes allow the robot to both make eye contact and, in conjunction with a computer vision algorithm and a modified robotic arm, create sketches of the robot's surroundings. [10]
ArtBots: The Robot Talent Show is an international robot talent show held in New York City and other cities. It is sponsored by a variety of arts organizations, produced by an army of volunteers, and is directed and curated by dorkbot founder, and teacher Douglas Repetto. [1] Child interacts with robot at ArtBots 2011 show.
The ultimate goal, Vance states "is to create a live experience that blurs the line between the audience and his hard-rockin', sailor-talkin' automatons". [17] Human Study #4, La Classe, a theatrical art installation with twenty one drawing robots was premiered in 2017 during the Merge Festival in London and was featured on BBC and Wired.
In 2024, the Whitney Museum of American Art exhibited AI art from throughout Cohen's career, including re-created versions of his early robotic drawing machines. [17] Karl Sims has exhibited art created with artificial life since the 1980s.
It is designed as a platform for further developing robotics technologies involving human-robot interaction. [11] utilizes embedded microphones, binocular eye mounted cameras, a chest camera and facial recognition software to interact with the public. Interactions can be governed by either OpenAI's GPT-3 or human telepresence. She also features ...
Rover, Lunar Jim's Robot dog in the children's animation series of the same name. Runner, a rather large robot in the shape of a dog, pet and loyal friend of Grubb, from the PC role-playing video game Septerra Core. Rush and Treble from the Mega Man classic series; Rusty, from the 1960s Swift comic strip "The Phantom Patrol".
Hajime Sorayama (空山 基, Sorayama Hajime, born February 22, 1947) is a Japanese illustrator known, along for his design work on the original Sony AIBO, for his precisely detailed, erotic portrayals of feminine robots. He describes his highly detailed style as "superrealism", which he says "deals with the technical issue of how close one can ...
In 2007, the Knoxville News-Sentinel called Ctrl+Alt+Del a "healthy dose of Web-comic-meets-videogame-playing-geek", describing its drawing style as "cartoonish" and its humor as one that "hilariously lampoons all things gaming through the lives of amateur artist Ethan, programmer Lucas and professional gamer Lilah".