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French music history dates back to organum in the 10th century, followed by the Notre Dame School, an organum composition style. Troubadour songs of chivalry and courtly love were composed in the Occitan language between the 10th and 13th centuries, and the Trouvère poet-composers flourished in Northern France during this period.
The popularity of French music in the rest of Europe declined slightly, yet the popular chanson and the old motet were further developed during this time. The epicenter of French music moved from Paris to Burgundy, as it followed the Burgundian School of composers. During the Baroque period, music was simplified and restricted due to Calvinist ...
Later 15th- and early 16th-century figures in the genre included Johannes Ockeghem and Josquin des Prez, whose works cease to be constrained by formes fixes and begin to feature a pervading imitation (all voices sharing material and moving at similar speeds), similar to that found in contemporary motets and liturgical music. The first book of ...
During the Ars Nova era of the thirteenth and fourteenth centuries, the trend towards writing polyphonic music extended to non-Church music. In the fifteenth century, more secular music emerged, such as the French chanson. In the late sixteenth-century, composers attempted to recreate Greek drama using a style called monody.
To compose or interpret mélodies, one must have a sensitive knowledge of the French language, French poetry, and French poetic diction. [2] Numerous books have been written about the details of French pronunciation specifically for mélodie singers, often featuring IPA transcriptions of songs with further notations for French-specific features ...
Orgue de rue — an automatic mechanical pneumatic organ from Paris, Île-de-France designed to be mobile enough to play its music in the street. Limonaire — a pneumatic musical organ from Paris , Île-de-France covering the wind and percussive sections of an orchestra.
Spectral music was initially associated with composers of the French Ensemble l'Itinéraire, including Dufourt, Gérard Grisey, Tristan Murail, and Michaël Lévinas. For these composers, musical sound (or natural sound) is taken as a model for composition, leading to an interest in the exploration of the interior of sounds. [ 24 ]
One of the biggest stars of the French roots revival was Perlinpinpin Folc, formed in 1972 and led by Christian Lanau, whose Musique Traditionelle de Gascogne was a popular release that sparked interest in the traditional music of Gascony. Gascon small pipes, called boha (bouhe), are a well-known part of the local scene. They have a rectangular ...