Search results
Results From The WOW.Com Content Network
"Somebody's Knocking at Your Door", sometimes given as "Somebody's Knocking" and "Somebody's Knockin ' at Yo' Door", is a spiritual. The song's music and text has no known author, [ 1 ] but originated among enslaved African-Americans on Plantation complexes in the Southern United States sometime in the early 19th century.
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. It was written in 1917–1919 and first performed in 1920.
Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende Domine; Aurora lucis rutilat; Ave Maria; Ave maris ...
The third stanza requests that Jesus, called ("gerufen") from grave and death, may be with us on life's steps ("Stufen"). [ 7 ] [ 3 ] [ 8 ] The text was set to music by both Helmut Föller , [ 9 ] a church musician responsible for the musical education of priests and pastoral workers at the Sankt Georgen Graduate School of Philosophy and ...
The tune, Zahn No. 983, was written ten years later by Johann Crüger and first appeared in Crüger's Neues vollkömmliches Gesangbuch Augsburgischer Confession. [1] [3]The tune has been used many times, including settings by J.S. Bach: one of the Neumeister Chorales for organ, BWV 1093, [4] two movements of the St John Passion, and three of the St Matthew Passion.
The song may be an allusion to both the apple tree in Song of Solomon 2:3 which has been interpreted as a metaphor representing Jesus, and to his description of his life as a tree of life in Luke 13:18–19 and elsewhere in the New Testament including Revelation 22:1–2 and within the Old Testament in Genesis.
[3] [4] The hymn was subsequently published in the hymnal A Collection of Hymns for the Use of the People called Methodists, [5] and in 1754, it appeared in Harmonia Sacra, a hymnal compiled by Thomas Butts. [6] [7] The hymn was later edited by Martin Madan for inclusion in his Psalms and Hymns hymnal (1769) by removing the seventh, eighth and ...
[16] Printed collections of Bach's harmonisations usually provide an alphabetical collation of the chorales, that is, ranged alphabetically by text incipit of the hymn. Some editions contain an alphabetical index at the end of the compilation, for instance at the end of the final volume of C. P. E. Bach's 18th-century collection.