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Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous.
Historical realism is a writing style or sub-genre of realistic fiction centered around historical events and time periods. In historical realism, the structure and context of a text is usually solely derived from a real historical event or time period. As a consequence of this, many texts that fall under this category are philosophical by ...
Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. [1] Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. Realism revolted against the exotic subject matter and the exaggerated emotionalism and drama of the Romantic movement. Instead, it ...
Realism, a school of thought in international relations theory, is a theoretical framework that views world politics as an enduring competition among self-interested states vying for power and positioning within an anarchic global system devoid of a centralized authority.
Realism was a general movement that began in 19th-century theatre, around the 1870s, and remained present through much of the 20th century. 19th-century realism is closely connected to the development of modern drama, which "is usually said to have begun in the early 1870s" with the "middle-period" work of the Norwegian dramatist Henrik Ibsen ...
Literary realism, a movement from the mid-19th to the early 20th century; Magical realism, a genre of fiction and art that blurs the line between speculation and reality; Neorealism (art) Italian neorealism (film) Indian neorealism (film) New realism, a movement founded in 1960; Realism (art movement), 19th-century painting group
Social realism is work produced by painters, printmakers, photographers, writers and filmmakers that aims to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions. While the movement's characteristics vary from nation to nation, it almost always uses a form ...
Direct realism, also known as naïve realism, argues we perceive the world directly. In the philosophy of perception and philosophy of mind, direct or naïve realism, as opposed to indirect or representational realism, are differing models that describe the nature of conscious experiences; [1] [2] out of the metaphysical question of whether the world we see around us is the real world itself ...