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Jimi Hendrix popularized the Fuzz Face and was known to buy multiple copies at a time to identify the best ones; his pedal chain often consisted of a wah-wah pedal into a Fuzz Face, then into a Uni-Vibe. [8] Other notable users include Duane Allman, [9] Stevie Ray Vaughan [10] Pete Townshend, [11] Eric Johnson, [12] and George Harrison. [13] [14]
In 1995, Boss released the BD-2, an overdrive pedal aimed at blues players who sought to add distortion while maintaining their amp's signal clarity and dynamics. [10] At the time, blues was experiencing a resurgence thanks to Eric Clapton and Gary Moore.
Notable examples of distortion and overdrive pedals include the Boss DS-1 Distortion, Ibanez Tube Screamer, Marshall ShredMaster, MXR Distortion +, and Pro Co RAT. A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave, resulting in a heavily distorted or fuzzy sound.
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.
Fuzz Head, a fuzzbox [3] Katana Clean Boost, Keeley's first self-made pedal, [3] is a pre-amplifier used by Billy Gibbons and Dan Spitz [8] Loomer, containing fuzz and reverb in one pedal. Its name and design were influenced by a song by the shoegaze band My Bloody Valentine [9]
Based on the 1969 Muff Fuzz, this is an Op-Amp version, and was powered by a 1458N IC chip. Red Army Overdrive 1990 - 1992 Discontinued The first Muff type pedal made in the U.S.S.R. Released by Mike Matthews's new brand called Sovtek, after Electro-Harmonix went out of business for the second time. Big Muff Pi (V7) 1991 - Discontinued